The C.I. Desk: FBI and CIA Counterintelligence As Seen From - download pdf or read online

“Fascinating and infrequently instances very humorous tales neglected within the literature and flicks approximately spying are these of the folks operating within the workplaces of intelligence enterprises. From . . . Christopher Lynch’s ebook, The C.I. table; FBI and CIA Counterintelligence As noticeable From My Cubicle (Dog Ear Publishing, 2010), comes enchanting tales of those significant those who might be simply as aggressive and encouraging, or bored, misinformed, and petty as anyone.” - EspionageMagazine.com The “very interesting storytelling” of The C.I. table follows the writer from the mailroom to the locked doorways of compartmented "special initiatives" in Headquarters-level counterintelligence. Readers can not placed down this interesting insider's examine undercover brokers, double brokers, illegals, moles, and traitors from the point of view of either FBI and CIA Headquarters. In 1976, Chris Lynch joined the FBI Intelligence department mailroom in Washington, D.C. He quickly moved directly to the 1st of many C.I. "desks," the place he concentrated particularly on an "in position" penetration of the KGB. through the years, he grew to become the FBI's "go-to man" for info on KGB practices and team of workers, and was once known as upon for a "fresh glance" at FBI C.I. focusing on options. relocating to the CIA in 1985, Lynch's specialties incorporated detecting adverse keep an eye on and research of CIA operations, engaged on circumstances that spanned the globe. He was once a part of the preliminary CIA attempt to enquire the losses of Soviet assets ultimately attributed to the mole Aldrich Ames. His tale comprises distinctive info on convicted secret agent Robert P. Hanssen, who used to be Lynch's FBI manager for 2 years, and the dramatic case of a KGB officer whose cooperation with the FBI was once uncovered through either Ames and Hanssen. The C.I. table is an engaging glimpse backstage, advised with wry, self-effacing humor, displaying the regimen, the exciting, and the occasionally humorous or tragic human aspect of the paintings of FBI brokers, CIA officials, and the unsung humans on Headquarters desks.